Just north of Oxford Street is Marylebone Passage, a narrow secluded alleyway that helpfully cuts the corner off Wells Street and Margaret Street.
It’s typical of the many passages that crisscross central London – grime blackened walls with the faint smell of urine. Block out the hum of traffic and it’s easy to imagine a London of the peasouper and Hackney Carriage.
The building that dominates this scene is an old workshop belonging to ‘Pring & Rose. Showcards, Ticket Writers & Printers‘.
Illustrated showcards were used to advertise goods and services and mounted in shops and restaurants. Showcards, and their theatrical equivalent, the bill poster, were produced by ticket writers, like the man appropriately nicknamed ‘Tickets‘ shown below who eked out a living in Brighton.
Marylebone is famous for the elegant grid of streets and squares developed by Edward Harley, Earl of Oxford and the Portman family in the 18th century. But Marylebone Passage is a reminder of a less well known past; one of ordinary working people, of the workhouse, the doss house and of families crammed into single rooms. And also of crime.
The clearance of the St. Giles ‘Rookery’, the infamous crime-ridden slum between Bloomsbury and Covent Garden was blamed for shifting its thuggery and poverty to neighbouring areas, including Marylebone.
The excellent Proceedings of the Old Bailey certainly shows that Marylebone had its fair share of pick-pocketing, burglary and sometimes even murder.
Perhaps the most notorious murder was that of a local retired builder by his former employee, John Devine in 1864. Devine killed the old man for two gold sovereigns and was hanged a month later.
And maybe a ticket writer was employed to write up a poster of his execution similar to this one, circa 1800-1860.